God Bless Iceland Poster (11 x 17 Inches - 28cm x 44cm) (2009) Icelandic Style A reproduction poster print CAST: Bjarni Ármannsson,Björgólfur Thor Björgólfsson,Geir Haarde,Jón Ásgeir Jóhannesson; DIRECTED BY: Helgi Felixson;

INCLUDES A BONUS MP3 CD OF BRAD THOR'S THE LIONS OF LUCERNE Master of suspense and #1 New York Times bestselling author Brad Thor returns with his most riveting international thriller yet. A new administration and a new approach to dealing with America's enemies have left covert counterterrorism operative Scot Harvath without a job. But when American doctor Julia Gallo is kidnapped in Afghanistan, the terms of her ransom leave the president with only one course of action. In a dangerous assignment that the United States government will deny any knowledge of, Scot Harvath must secretly infiltrate Kabul's notorious Policharki Prison and free the man the kidnappers demand as ransom - al-Qaeda mastermind, Mustafa Khan. But when Harvath arrives, he quickly learns that there is more to the kidnapping than anyone dares to admit. And as the subterfuge is laid bare, Harvath must examine his own career of hunting down and killing terrorists, and ask himself if he has what it takes to help one of the world's worst go free. Brimming with the kind of ripped-from-the-headlines authenticity Brad Thor's internationally bestselling novels are known for, The Apostle doubles down on the blockbuster success of The Last Patriot and reaffirms Thor's status as the master of the political thriller.

HULK VS (SPECIAL EDITION) - DVD Movie

MARVEL ANIMATION 6 FILM SET - DVD Movie

Never has Thor been more sensational than during these early tales, crafted by Marvel's greatest, Stan Lee and Jack Kirby. Re-live Stan and Jack's stories of the Norse Gods and Thor before he came to Earth as Don Blake. Witness as these masters breathe life into the thunder god. Read these stories as never before with all-new, modern coloring and six interlocking covers by Olivier Coipel. Collecting: Thor: Tales of Asgard by Stan Lee & Jack Kirby #1-6

Highly detailed and articulated 3-3/4 inch scale action figures based on the heroes and villains of the Marvel Comics universe. The Marvel Universe series of figures debuted in 2009.

1. I'm So Happy 2. On the Edge 3. Call Me 4. Jump on It 5. Back in Love Again 6. Tenderness 7. Nothin' But a Thang 8. Where 9. I'm So Happy [12" Mix] Walter Beasley's self-titled 1987 debut for Polydor Records offered this new talent on the smooth jazz block as a triple threat: Beasley showed himself not only to be a talented saxophonist, but a fine songwriter and vocalist as well. Though he was deeply influenced by the late Grover Washington, Jr., Beasley took that inspiration far and wide. One need go no further than the album's opening cut, "I'm So Happy." Beasley's soulful vocals and alto saxophone are right up in front of a female backing chorus, a stylist drum loop, crisp synths, and a catchy guitar hook worthy of Eric Gale or Cornell Dupree (though it's played by Freddie Fox). Add to this some Chic-like handclaps and dreamy keyboards, and nursery rhyme refrains with saxophone swirling in the bridge, and you have a bona fide crossover hit. It's a hell of an introduction for Beasley as a modern soul vocalist and songwriter, and he wrote or co-wrote all but two of the album's nine cuts. Preston Glass and Kenny G wrote the following cut, "On the Edge," but Beasley's technical gift on the soprano sax is what's on display here. Kenny G may have written it, but his own chops don't hold a candle to the killer soul, in the pocket rhythmic sensibility, and overall arrangement with the loops and spiraling funky keyboards in this version. Other standouts on the set include the romantic gospel/soul ballad that is "Call Me," the funky "Back in Love Again," and the tough swagger and strut of "Nothin' But a Thang," that was a club favorite and a subsequent single. While it's true that Lionel Job's production sounds dated in the 21st century, most everything that came out of the smooth jazz genre from that period does: the packed compression on the keyboards and drum programming are a dead giveaway to the era, as are the stacked vocals..